Beautiful Jessica Harper, Miss Hooters of Houston 2018 scores a home run in her sexy costume at the Hooters International Pageant in Charlotte, NC.
Jessica contacted me after she found my website through an organic search. She had just been awarded the Miss Hooters of Houston Title and was all set to go and represent our fair city at the headquarters of the well known sports bar. Jessica already had a great idea that her costume should represent the beauty and resiliency of the city and I am grateful that she let me run with her idea!
As mentioned, her costume was to represent the strong points of the city. In particular the survival of the city in the aftermath of the terrible flooding from Hurricane Harvey and the silver lining of the Astros baseball team winning the World Series over the LA Dodgers. In addition, since this was to be a corporate event, I needed to be mindful of the selection of colors and specifications as it relates to corporate branding.
So as you can see from the picture, there were specific guidelines as far as the dimensions for both the Hooters and Astros logos. Both organizations were very generous in their furnishing the official specs for my personal use in reproduction. The original intent was to manipulate in photoshop to create a pattern. But alas, there were challenges ahead: My late model high end Mac decided that this would be a great time to crash and burn and unfortunately there was not enough time to take it into the Apple store to be revived at the Genius Bar. This meant that all of the corporate branding needed to be created manually. Thank goodness for my Art degree!
It’s all good and in the end her costume was completed on time and under budget, The MacBook was able to be revived by a Genius and Jessica was a star at the International Pageant. Please enjoy the rest of the pictures showing Jessica during her fittings and hanging out backstage with some of the other contestants.
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Please contact me at 832-652-9180 or by email: firstname.lastname@example.org
Fasten your seatbelts it’s going to be a wild post!
Edith Head was one of Hollywood’s most enduring costume designers. While not as innovative as some of her other contemporaries like Adrian or Rambova, she distinguished herself by delivering good product that pleased both actors and directors alike. This resulted in a record breaking 35 Oscar nominations for which she won no less than 8 Academy Awards. Edith Head is responsible for creating many of the iconic looks that we now identify as ‘ Old Hollywood Glamour’. Having dressed the likes of Grace Kelly, Marlene Dietrich, Kim Novak, Gloria Swanson, Elizabeth Taylor, the list goes on and on. She once said ‘If it’s a Paramount film I probably designed it.’
One of her most curious collaborations was designing the costumes for Gloria Swanson in ‘Sunset Boulevard’. Curious because Edith had begun her career at Paramount (Then called the Laskey Studios) not only as a sketch artist but also as the wardrobe girl whose main job was to wash out Miss Swanson’s lingerie. At the time Gloria was the studio’s biggest star and Edith was basically a no body. Fast forward some 40 years later and now she was in charge of creating the look for what was to be Gloria Swanson’s big ‘comeback’ movie. The irony was not lost on Edith and it was something she reflected upon in her later years.
Thanks to her steadfast professionalism, she continued to work long after many of her contemporaries had retired and even long after her passing she was immortalized as the character ‘Edna Mode’ in ‘The Incredibles’ and as a Google Doodle! She was even part of the Universal Studios Tour where she and her costume shop where part of the attractions!
But Edith had her fun and dishy side as well. In her biography ‘Edith Head’s Hollywood’ she complains ad infinitum about having to deal with the ego of director Cecil B. DeMille with whom she collaborated on over 10 films, referring to him as ‘A conceited old goat with small hands’. Ouch! She was asked once if the rumors were true that Mae West was really a man, her response was: ‘I have seen her without a stitch and she’s all woman. No man can have a body like that!’ Touché. And Kim Novak was on the receiving end of this little zinger: ‘Dressing Kim Novak for her role in ‘Vertigo’ put to the test all my training in psychology.’Yikes!
Ms Head was scheduled to be a guest speaker while I was a student at F.I.T.. I remember being so exited to actually be seeing this Hollywood legend in the flesh, discussing her distinguished career. Unfortunately it was announced, right before the lights went on that Ms Head was unwell and would not be appearing that day. So instead we were treated to a fashion show of some of here most iconic looks with models wearing Grace Kelly’s ballgown from ’To Catch a Thief’ and Kim Novak’s exquisitely tailored grey suit from ‘Vertigo’, Bette’ Davis’ topaz satin party dress from ‘All About Eve’ and a whole lot more. Sadly, it was announced a few days later that she had passed away. She never let her public down even to the end. Please enjoy these highlights from her best known films.
Recent updates to my Gallery Page:
The Costumes by Antonia Gallery page has been updated so now you can see an overview of what has been keeping me busy all this time. Please click on the image to see images and videos from Super Bowl LI, Toddlers with Tiaras, Fantasy Weddings, CosPlay and a whole lot more.
So, not ready to order a costume? No problem, learn how to make one instead! Private sewing lessons are once again available at a discounted rate of 10%. Ot you can give the gift of creativity by purchasing a Gift Certificate for a loved one. Just enter the code ’sewcooltenpercent’ at checkout.
‘The Envelope Please’
Congratulations to Mark Bridges for winning the Oscar for Best Achievement in Costume Design for ‘Phantom Thread’ AND winning a jet ski for the shortest acceptance speech. Obviously Mr Bridges is a man of few words. What can be cooler? Winning an Oscar or riding a jet ski with Dame Helen Mirren?
(Because we save the best for last!)
It is my distinct honor to share the news of this upcoming exhibit at the HR Giger Museum in Gruyere, Switzerland by my dear friend and mentor Martina Hoffmann and her late husband Robert Venosa. H R Giger, was best known as the creator of the ‘Alien’ monster from the film of the same name and for which he was awarded an Academy Award for Best Achievement in Visual Effects. The theme of the exhibit is ‘Transmutations’ and I think it is only fitting to include this with the theme of the newsletter. I hope that my friends reading this who live in Geneva and its environs will be able to attend this most auspicious event.
Martina Hoffmann, along with being a superb painter is also a superb fashion designer who created the one of a kind ‘Goddess Belts’ and amazingly sublimated ready to wear. You can see more of Martina’s designs by clicking here: https://www.martinahoffmann.com/boutique
or visiting her website below.
Please click on the imageto be directed to the Giger Museum Website.
For more information about the artists please visit their websites:
Well it’s THAT time of the year again. So on the Eve of Oscar Night, I would like to present the Nominees for the Best Achievement in Costume Design.
‘Beauty and the Beast’
This year, Designer Jacqueline Durran is a double nominee for her designs in both this film and for ‘Darkest Hour’. Busy lady! For ‘Beauty’ she does not disappoint; The colors and textures of the costume are absolutely stunning and a real treat for the eyes. Here designs are sharp and varied whether its the gothic depths of the Beast’s castle to the color riot of the French peasants costumes. Well done!
Again, Jackie Durran. I am so sorry to have missed this one being that Gary Oldman is one of my favorite actors and Kristen Scott Thomas looks classy no matter what she is wearing. If anything this film should be awarded Best Achievement in Hair and Makeup for the amazing transformation of Gary Oldman.
This film should be praised for its authenticity in all respects. Real stitchers were hired to play stitchers (really) and in order to prepare for his role, Daniel Day Lewis took sewing lessons from the afore mentioned stitchers. All that hard work paid off because he actually held the sewing needles and scissors correctly. Believe me I am really anal about stuff like that. The designs themselves where a bit dowdy. But this is understandable since his character is based loosely on Hardy Amies the designer for the likes of Queen Elizabeth etc. Not exactly on the ‘cutting edge’ of fashion. However, there where some interesting scenes depicting a fitting which showed the underpinnings needed to create ‘The New Look’ silhouette which was popular at the time and other tailoring conceits such as sewing hidden messages into a dress. Good job!
‘The Shape of Water’
Obviously the Oscar nomination was for that ‘hide the sausage’ amphibious costume. (Whoops spoiler alert, sorry!) It was truly an amazing job on that costume that was years in the making. A minimum of CGI was used and instead the movements where enabled by a mechanically rigged radio hub embedded within the costume which allowed the actor to control is facial and body movements. A real challenge, being that the character was underwater during most of the film and electrocution could be a real problem. I also liked the murky aqua color palate as it was used in the costumes of the human characters. For more information about what went into the making of this aquatic shmata, read the L.A. Times article here.
Victoria and Abdul
As always, Connie Boyle did a bang up job on the costumes and in my heart I hope she gets the prize since I felt that she was passed over last year for her whimsical costumes in ‘Florence Foster Jenkins’. In this film she applies her sense of whimsey once again by giving Queen Victoria’s dreary widow weeds an interesting twist with some curious little crocheted embellishments to her weeping veil and the over the top uniform worn by Abdul, her manservant. The Victorian era for me, is one of the most unattractive, unflattering historical periods for woman’s fashion. So anyone who can make it look pretty and interesting gets my seal of approval. A+.
THEY WERE ROBBED!
Why wasn’t this film nominated?
Tulip Fever, that quirky little movie about the Tulip Wars in 17cc Holland was completely passed over in the costume category and this is an effrontery on all levels. Michael O’ Conners sumptuous costumes reflect the over the top wealth of the Dutch merchants and their obsession with all things rare and beautiful. Apparently this movie was stuck in ‘Development Hell’ for many years and maybe this is the reason the omission. But if you are able to, catch it if you can, it’s worth watching.
Congratulations guys, whether you were nominated or not, You are ALL Winners. Make sure to watch the Oscars on Sunday March 4rth and root for your favorite!
‘Who wants to go to hell with Madam Satan? Was the catch word for this peculiar cult classic of pre-code Hollywood. Up until the early 1930’s Hollywood movies where pretty racy in their depictions of sex and violence. Cecil B De Mille’s film musical ’Madam Satan’ was one of those and it does not disappoint. Now DeMille is usually remembered for his religious and historical epics such as ‘The Ten Commandments’, ‘Cleopatra’ and ‘The Greatest Show on Earth’. So for him to direct a racy, quirky, musical was a bit out of character for him. But remember that a talking pictures were all the rage at that time and like many of his colleagues he jumped on the ‘bandwagon’ because it was the lucrative thing to do. I suppose for the same reason that The Rolling Stones and Kiss recorded Disco songs in the 70’s .
But lucky for De Mille he had a ‘Dream Team’ of creative talent as collaborators both in front and behind the camera: Jeannie MacPherson screenwriter, Cedric Gibbons Art Director, Theodore Kosloff featured dancer and of course, costumes by the legendary Adrian (inventor of the shoulder pads). Just to name a few. These names may not mean much today but believe me back then, they did some heavy lifting.
So the premise of this movie is about a husband and wife whose marriage is on the rocks. He winds up leaving her for another woman but she connives to win him back by co-hosting a costume party on a zeppelin over Central Park which of course becomes and over-the- top musical number showcasing the dancing talents of Kosloff and of course Adrian’s uniquely original designs. As zeppelins are wont to do, it malfunctions and all the guests must bail out in parachutes to save their lives. But not before the audience is exposed to lots of upshots of scantily clad women flailing the legs and flashing their panties as they descend back to earth. Oh, the humanity!
This near death experience makes the husband realize what a jerk he had been to his wife and so he goes running back to her loving arms. All is forgiven.
In spite of the superficial sounding plot, the story does have a dose of realism not found in post code Hollywood. For starters , the couple sleeps in the same bed, something that was not allowed post Breen Code. There’s infidelity, lots of sexual innuendo, a gay sub-plot with some of the characters and then of course there are this lovely, sexy costumes by Adrian. Sometimes I wish that Adrain had made more technicolor movies. The two that come to mind are ‘Wizard of Oz’ and ’The Women’. And even those where partially in color, the culprit being ‘Gone With The Wind’ whose production had swallowed up all the technicolor film in Lotus Land.
In my opinion, the back & white film doesn’t do Adrian’s costumes justice. I finally had the chance to see Adrian’s designs for Madame Satan at an A.M.P.A.S retrospective highlighting former Oscar winners/nominees for best achievement in Costume Design. There in its own showcase was the black velvet ‘Madam Satan’ costume with the embellished cape. WOW! The colors were so vivid and the detailed workmanship was absolutely exquisite.
Another bone that I have to pick with ‘Madam Satan’ is that the choreography is at times a bit sloppy. I wonder of this is due to De Mille’s lack of understanding of the genre. One wishes for the military precision of a Busby Berkley number that would have pirouetted in lockstep with Adrians costumes and Kosloff’s athletic physique. But alas, Busby was under contract with a different studio so it was not meant to be.
Adrian’s creations for ‘Madam Satan’ have proved to be extremely influential over the years. Spawning a multitude of costumes inspired by his original designs. The most recent being Eiko Ishioka’s designs for the ill fated Broadway musical version of ’Spider Man’. Imitation still is the best form of flattery.
Please enjoy these pictures and if the reader gets a chance to see ‘Madam Satan’, please do. It’s campy and a bit dated but still worth watching. I truly wish that Adrian’s costumes for the film would go on tour again. They are beautiful and have withstood the test of time tangibly and intangibly.